Glottis — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
The other instrument with a reed
The folds do not vibrate the way a string does. They open and shut across a steady stream of air, once per period, and what leaves the larynx is a train of flow pulses with a closed phase in it. Everything said about the voice's tone is a statement about the shape of that pulse — and the shape has two numbers in it.
Two mechanisms, and the seam between them
Every singer has a place in the range where the voice changes character, and eight semitones of it can be produced either way. The measurement that settles what kind of a place it is takes ten seconds: the change upward happens two hundred cents higher than the change downward, and a threshold cannot do that.
Named alongside it
The objects these essays reach for when they reach for this one.
Boundary conditionOpen quotientSpectrumLaryngeal mechanismNonlinearityOverblowingPartialReedRegisterSource-filterThreshold pressure