Continued fraction — where it appears
Named by 2 essays across 2 fields — each of them below, with the objects they name alongside it.
A comma is a polyrhythm that never closes
Seven earlier essays have rested on a common grid. Two cycles have one when their ratio is a ratio of whole numbers, and the fifth against the octave is not — provably, from unique factorisation. So there is no grid, no composite and no least common multiple, and what is left over instead is the sequence 2, 5, 12, 41, 53 with a comma attached to each.
The only sizes a fifth will make
Stack pure fifths and fold them into an octave, and at almost every number of notes the result has three or more different step sizes. At 2, 3, 5, 7, 12, 17 and 29 it has exactly two — and at no other size below thirty. The pentatonic and the diatonic set are not two discoveries. They are neighbours in one series, and it is the comma's series.
Named alongside it
The objects these essays reach for when they reach for this one.
Chain of fifthsDiatonic scaleEqual temperamentLeast common multipleMoment of symmetryPentatonicPolyrhythmPythagorean commaStep patternWell-formedness