Calibration — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
Where a wrong head gives itself away
Every claim so far maps a delay to a direction through one fixed geometry, and the listener acquires that map while the geometry grows under them by seventy per cent. So the map can be wrong — and the essay before this one said the error would be largest on the median plane, where the delay curve is steepest. It is exactly zero there. The steepness is in the error and in the threshold and cancels between them, which leaves a listener whose internal head is 1.3 millimetres out with one place to catch it: hard to the side, where nobody localises well.
The error that moves straight ahead
The essay before this one found that a listener whose internal head is the wrong size makes no error at all on the median plane, and has to look hard to the side to catch it. Every head drawn here has its ears at equal radii, which makes the delay curve odd and every error a factor — and a factor cannot move a zero. Real heads are not symmetric. A constant offset of twenty microseconds displaces a listener's straight ahead by two and a quarter degrees, and it displaces every other direction by the same number of just-noticeable steps, exactly.
Named alongside it
The objects these essays reach for when they reach for this one.
Head shadowInteraural time differenceJust-noticeable differenceLocalisationSpeed of sound