The same induction, one level up
Drawn above with its standard settings, which is almost never how an essay draws it: an essay states the numbers it is arguing about, so the figure a reader meets there is about that argument rather than about the drawing in general. Every option a placement passes is checked against the ones this function actually reads, because an option it does not read is silently ignored and the figure quietly draws what is above instead.
It makes a noise. 7 of its 7 placements carry sound, built from the same numbers as the drawing, offering these buttons: Bar events, grouped by 2, Bar events, grouped by 4, Bar events, grouped by 8.
Called by 2 essays
the blast radius of changing it
An ending that exists so a bigger one can
Half of the cadences in tonal music are built to fail. A phrase that stopped convincingly at bar four would be a piece four bars long, so the ending at bar four is engineered to arrive and not to settle — and the components it withholds are exactly the ones its partner at bar eight supplies. Closure is nested, and the nesting is what turns two phrases into one thing.
The bar above the bar
A four-bar group is a bar whose beats are bars. That is not an analogy — it is the same computation, and the same metre-induction model produces one when it is handed bars instead of beats, unchanged. What decides where the hierarchy of levels stops is not in the arithmetic at all, and it is a number the phrase essay already measured.