Intonation drift — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
The progression that never comes home
Just intonation is usually said to fail because a keyboard has only twelve keys. That is not the reason. Take one of the commonest chord sequences in tonal music, play every chord in exact whole-number ratios, and it arrives back on its starting chord a syntonic comma flat — on any instrument, including a voice.
Somebody has to pay the comma
A choir has no frets and no keys, so it can tune every chord exactly — and a common progression sung that way arrives a comma flat, every circuit. The freedom a keyboard lacks turns out to be a freedom about where the error goes rather than whether there is one, and the two costs always add to the same number.
Named alongside it
The objects these essays reach for when they reach for this one.
Comma pumpJust intonationSyntonic commaCentsProgressionTemperamentTuning by ear